Oily Palms

Artistic research and printmaking

This series of artistic experiments was a collaboration with anthropologist Alice Rudge and sociologist Véra Ehrenstein as part of their research into the colonial histories of palm oil and the rapid development of oleaginous substitutes. Engaging critically with specimens and documents related to the colonial plantations of oil palms in the early 1900s, I was inspired to develop a process of marbling with palm oil, suspending the oil (luminous yellow) and inks (black and red) in water, then laying sheets of paper on the surface of the mixture.

This research was initially supported by the Dean's Strategic Fund at UCL in 2021. One of the prints featured as a cover image for a special issue on 'substitution' published in Fieldsights by the Society for Cultural Anthropology (see culanth.org, November 2024). We also documented the artistic research in a 12-page zine featuring archival research and material experimentation: Oily palms: Kernels of colonial knowledge is part of the library collection at Brighton MET and was exhibited at A Bigger Book Fair, Peckham 2025.

Usually palm oil is blended and hidden within another form. Now, it is tangible.

Read an excerpt from .

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